Looking for a mural artist - why?

The Most Common Search Terms People Use to Find Mural Artists — And Why

If you’re searching for a mural artist, chances are you don’t start by typing an artist’s name. You start with a problem to solve: an empty wall, a dull building, a community space that needs identity, or a brand that needs visibility.

Understanding how people search — and why they search the way they do — reveals a lot about what clients actually want when commissioning a mural.

Below are the most common search terms people use to find mural artists, broken down by intent, and what each one tells us about the client behind the search.

1. “Mural artist near me”

Why people search it:
This is the single most common starting point. The searcher wants someone local, available, and experienced working in their area.

What it really means:

• They care about logistics (access, council approvals, site visits)

• They want someone who understands local conditions

• They’re likely ready to commission, not just browse

What they’re looking for:
A reliable, professional mural artist or studio with a track record — not just an Instagram page.

2. “Custom mural artist” / “Custom wall mural”

Why people search it:
They don’t want a generic design or wallpaper. They want something bespoke.

What it really means:

• The mural needs to reflect a brand, story, or place

• They expect collaboration and concept development

• They value originality over templates

Typical clients:
Businesses, developers, schools, councils, hospitality venues.

3. “Commercial mural artist”

Why people search it:
This search is driven by business objectives, not decoration.

What it really means:

• The mural must align with branding

• Durability, scale, safety, and timelines matter

• They want someone who understands commercial constraints

Often paired with goals like:

• Increasing foot traffic

• Improving street presence

• Creating shareable visual moments

• Enhancing property value

4. “Public art mural” / “Public art artist”

Why people search it:
This is common for councils, government bodies, and community groups.

What it really means:

• The work must be culturally sensitive and inclusive

• Stakeholder engagement matters

• The artist must understand public space responsibility

Hidden requirement:
Experience navigating approvals, community feedback, and long-term maintenance.

5. “Street artist” / “Graffiti mural artist”

Why people search it:
They’re after edge, authenticity, or urban credibility.

What it really means:

• They want visual impact

• They’re drawn to street culture aesthetics

• They may not fully understand the difference between illegal graffiti and commissioned murals

Important distinction:
Professional mural studios often translate street-art energy into legitimate, durable, approved public artworks.

6. “School mural artist” / “Educational mural”

Why people search it:
Schools want murals that educate, inspire, and create pride.

What it really means:

• The content must be age-appropriate

• Safety and working-with-children compliance is essential

• Often linked to wellbeing, identity, or learning themes

Typical goals:
Anti-bullying, cultural inclusion, environmental awareness, school values.

7. “Community mural project”

Why people search it:
This is less about the artwork itself and more about participation.

What it really means:

• The process matters as much as the outcome

• Workshops, collaboration, and engagement are key

• The mural should reflect collective ownership

Common clients:
Councils, NGOs, neighbourhood groups, regeneration projects.

8. “Large scale mural” / “Building mural”

Why people search it:
They have a big wall and want to make a statement.

What it really means:

• Scale, access equipment, and safety planning are critical

• They want a landmark piece

• Experience matters more than style alone

Unspoken concern:
“Can this artist actually deliver something this big?”

9. “Mural artist cost” / “How much does a mural cost?”

Why people search it:
They’re budgeting or seeking approval.

What it really means:

• They don’t expect a single price

• They want transparency and guidance

• They’re comparing value, not just cost

Reality:
Pricing depends on scale, detail, surface, access, location, and concept development — not just paint on a wall.

10. “Mural artist portfolio”

Why people search it:
They’re close to making a decision.

What it really means:

• Trust is being evaluated

• They want proof, not promises

• Style consistency and professionalism matter

At this stage:
Clear documentation, case studies, and real-world examples win jobs.

What This Tells Us About Clients Searching for Mural Artists

Across all these search terms, a few themes repeat:

• People aren’t just looking for art — they’re looking for solutions

• Experience, process, and professionalism matter as much as style

• Murals are often tied to branding, placemaking, or community outcomes

• Trust is built through clarity, not hype

At Chulo Creative, we exist at the intersection of art, design, and delivery. We work with councils, schools, developers, businesses and the artists to turn blank walls into meaningful visual assets — not just paintings.

Understanding how people search helps us do what we do best:

• Translate intent into concept

• Translate concept into large-scale artwork

• Translate walls into stories people actually remember

If you’re searching for a mural artist, chances are you’re really searching for someone who understands why the wall matters in the first place.

And that’s where the real work begins.

How Murals and public art Add Value to New Developments

The New Language of Development

Modern developments aren’t judged by architecture alone, they’re judged by the experience they create. Buyers, councils, and communities now expect more than a concrete shell; they want stories, personality, and connection.

That’s where murals come in. Large-scale artworks are becoming one of the most powerful tools for developers and architects to add visual impact, meet council requirements, and leave a lasting impression.

Far from being just decorative, murals are now an integral part of placemaking and marketing strategy.

1. Meeting Council and Public Art Requirements

Across Australia, many councils now include Public Art Policies as part of new development approvals — especially in NSW, Victoria, and Queensland. These policies often require developers to integrate art that reflects local culture or enhances the built environment.

Murals are one of the most efficient and flexible ways to meet these requirements.
Unlike sculptures or installations that need engineering and lengthy approvals, murals can be delivered quickly, safely, and within budget — often transforming blank walls into cultural assets within days.

👉 Learn more about our Council & Public Art Services

Working with the right creative partner matters. Chulo Creative helps developers navigate council criteria, select the right artists, and deliver compliant artworks that satisfy planners and design review panels.

2. Increasing Buyer Appeal and Perceived Value

A well-placed mural does more than decorate — it defines perception.
Research shows that environments rich in visual art increase feelings of belonging, safety, and emotional connection.

For developers, this translates into stronger first impressions, better marketing imagery, and a recognisable project identity.
Buyers aren’t just purchasing property — they’re buying into a neighbourhood story.

When art is integrated early in the design phase, it elevates the entire project from functional to unforgettable.

👉 Explore our Mural Artists & Creative Direction page

3. Strengthening Community Connection

Every development sits within a community — and murals can help bridge that gap.
Commissioning local or Indigenous artists adds authenticity and social value, while engaging residents builds goodwill and community pride.

This sense of ownership transforms how a project is received. Instead of being seen as an intrusion, it becomes a celebration of place.

At Chulo Creative, we regularly facilitate collaborations that balance developer branding with local storytelling — creating artwork that feels authentic, not corporate.

4. Cost-Effective, Long-Lasting Marketing

Compared to traditional advertising, murals deliver outstanding ROI.
A billboard runs for a month. A mural lasts a decade.

During that time, it becomes free, organic marketing — featured in real estate photography, social content, and local press. Murals often become landmarks that define a development’s identity.

They attract attention, foot traffic, and social engagement long after completion — turning public art into a long-term marketing asset.

5. The Practical Edge: Efficiency and Durability

Developers appreciate murals for their practicality too.
Modern paints, sealants, and coatings make them durable against UV, weather, and graffiti.

Installation can often occur late in the build process with minimal disruption.
Chulo Creative manages every stage — from concept, design, and compliance to installation and protection — ensuring your artwork is both stunning and structurally sound.

Build More Than Walls

Public art isn’t a luxury add-on anymore — it’s a strategic investment.
Murals enhance aesthetics, meet council obligations, and elevate the identity of your project.

If you’re planning a new development, Chulo Creative can help design and deliver public art that meets guidelines, adds tangible value, and brings your space to life.

S T A C K S – Sculptural Site Markers at Eden Beach by Chris Nixon

Chris Nixon’s S T A C K S is a striking outdoor installation nestled at Eden Beach in Western Australia. The work comprises sculptural site markers—stacked forms that echo the shapes found in the local natural environment. Crafted from aluminium and featuring hand-painted finishes, each marker captures an abstracted and stylised essence of the surrounding landscape. 

images by Offshoot Content.

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Sculpted Worlds and Quiet Drama with Artūras Jelešinas

The landscapes of Artūras Jelešinas don’t just set the scene—they hold the mood. Vast, weathered, and carefully composed, each environment feels like the silent witness to something ancient, or the threshold to something just beginning.

His work balances cinematic scale with sculptural intimacy—mountains that breathe, ruins that hum, valleys etched with memory. These aren’t just digital models; they’re worlds with presence.

Crafted with precision and depth, Artūras’s environments are rich with narrative possibility—ideal for games, film, or any project in need of atmosphere that lingers.

Gina Kiel’s Tidal Bodies: A Solo Exhibition of Transformation and Flow

Gina Kiel’s debut solo exhibition, Tidal Bodies, delves into themes of transformation and cyclical change. What begins as freeform sketches gradually evolves into fully realised paintings, with fluid lines growing into distinct, living forms. Through this body of work, Kiel channels archetypal figures, each vibrating with movement and energy. Optical patterns blend with soft, introspective features—offering a visual language for new ways of perceiving and being.

The exhibition also features a large-scale gallery mural, marking a significant shift in Kiel’s practice toward a more intuitive, embodied approach to painting. Her creative evolution is deeply connected to personal milestones, from early motherhood to this moment of integration and renewal. What once expressed a sense of separation—figures split and mirrored—now celebrates unity, balance, and the interconnected nature of life.

Tidal Bodies draws on the rhythms of the ocean as a metaphor for the fluidity of the human form and experience. Kiel’s work honours the perpetual motion of life—the ebb and flow of change—and how these forces shape us, both individually and collectively.

See the body of work here

Gina Kiel Paints the Atmosphere

This striking mural by Gina Kiel was created for her recent solo exhibition Tidal Bodies, showing at Freestyle Gallery in Wellington NZ.

The work begins with a bold foundation of solid black, softened by layered washes of white paint to create a moody, textured backdrop—setting the stage for the paintings and drawings that formed the heart of the exhibition. See the exhibition works here.

Your Guide to Council Public Art Requirements

If you're a property developer in Australia, you've likely encountered – or will soon encounter – a curious clause in your development application process: the requirement to incorporate public art. Far from being an optional luxury, many Australian councils now mandate a contribution towards public art as part of their urban planning and placemaking strategies.

This isn't just about ticking a box; it's about building better, more vibrant communities, and savvy developers are discovering the immense value it adds to their projects.

What's the Deal with Public Art Requirements?

Across Australia, local governments are increasingly implementing policies often known as "Percent for Art" schemes or similar public art contribution policies. In simple terms, these policies typically require a certain percentage of a development's overall construction budget (often 0.5% to 2%) to be allocated towards commissioning, fabricating, and installing public art.

The exact percentage, the types of developments it applies to, and the specific guidelines vary from council to council (e.g., City of Sydney, Melbourne, Brisbane, Fremantle, etc.). Some councils might prefer a physical artwork on-site, while others allow a "cash in lieu" contribution to a public art fund.

Why Do Councils Mandate Public Art?

Councils aren't just trying to make things harder for developers. These policies are rooted in a vision for more liveable, culturally rich cities. They aim to:

• Enhance Placemaking: Turn generic spaces into unique, memorable destinations.

• Build Community Identity: Reflect the local history, culture, and aspirations of an area.

• Increase Public Amenity: Make urban environments more visually appealing and enjoyable for residents and visitors.

• Support Local Arts & Culture: Create opportunities for artists and enrich the creative economy.

• Boost Economic Vibrancy: Well-designed public spaces with art can attract people, foot traffic, and investment.

Beyond Compliance: The Developer's Advantage

Meeting a council's public art requirements isn't just about compliance; it's an opportunity for developers to significantly enhance their projects and brand reputation:

• Elevated Property Value: High-quality public art makes a development more desirable, potentially increasing property values and accelerating sales or leases.

• Brand Differentiation: A unique art installation sets your development apart from competitors, creating a distinctive brand identity.

• Increased Social Media Buzz: Visually striking art becomes an "Instagrammable" landmark, generating free marketing and public engagement.

• Community Connection: Investing in art demonstrates a commitment to the community, fostering goodwill and positive relationships with local residents.

• Faster Approvals (Potentially): A thoughtfully integrated public art plan, aligned with council objectives, can sometimes streamline the development application process by demonstrating commitment to placemaking.

Navigating the Art Landscape with Chulo Creative

Understanding and fulfilling these public art requirements can feel daunting. This is where an expert art agency like Chulo Creative becomes your invaluable partner.

We work directly with developers and project managers to:

• Demystify Council Requirements: We help you understand the specific public art policies relevant to your development's location.

• Strategic Art Planning: We develop a public art strategy that not only meets compliance but also maximises the artistic and commercial impact for your project.

• Artist Selection & Commissioning: We tap into our curated network of Australia's top muralists and artists, matching the perfect talent and style to your vision.

• Seamless Project Management: We handle all aspects from concept development and design to permits, fabrication, installation, and ongoing maintenance advice.

Don't let public art requirements be a hurdle; let them be an opportunity to create something truly extraordinary.

Ready to transform your development with impactful public art that meets council requirements and adds immense value?

Contact Chulo Creative Today for a Consultation!

Murals and Public Art Are Your Next Interior Design Secret Weapon

As an interior designer, you're constantly seeking innovative ways to create unforgettable spaces that captivate clients and stand out from the crowd. While furniture, lighting, and finishes are essential, have you considered the transformative power of a custom mural or a striking public art installation?

Here in Australia, integrating bespoke art into your projects isn't just a trend; it's a strategic move that can dramatically elevate your designs and offer unparalleled value to your clients.

Beyond the Canvas: The Impact of Integrated Art

Imagine a vibrant, hand-painted mural transforming a mundane office wall into an inspiring landscape, or a sculptural public art piece becoming the focal point of a residential lobby. These aren't just decorative elements; they are experiences.

• Creates a Unique Identity: In a world of mass-produced decor, a custom art piece ensures your design is truly one-of-a-kind. It reflects the client's brand, personality, or the unique story of the space, making it instantly memorable.

• Enhances Ambiance and Mood: Art has a profound psychological effect. A calming mural can bring tranquility to a healthcare setting, while an energetic piece can invigorate a retail space. You control the narrative and the emotional response.

• Boosts Perceived Value: Clients are increasingly looking for more than just functional spaces; they want environments that inspire and delight. Investing in a bespoke art installation signals a commitment to quality and thoughtful design, elevating the perceived value of your entire project.

• Solves Design Challenges: Large, awkward walls? Uninspiring common areas? A custom mural or art installation can be the perfect solution, turning a challenge into a stunning opportunity for artistic expression.

• Supports Local Talent: By commissioning Australian artists, you not only enrich your projects but also contribute to the thriving local arts community, a narrative that resonates deeply with many clients.

Seamless Integration for Stunning Results

You might wonder about the process. Reputable art agencies specialise in collaborating with designers, ensuring a seamless integration from concept to completion. They handle everything from artist selection and project management to installation, allowing you to focus on your overarching design vision.

Ready to unlock the full potential of your next interior design project? Consider the lasting impression a custom mural or public art installation can make. It's more than just art; it's an investment in extraordinary design.

Comic Book Legend Jason Paulos Unleashes New Work

We’re thrilled to share the latest from comic book icon Jason Paulos, whose razor-sharp style and love for pulp storytelling have cemented him as one of Australia’s true underground legends. With a career spanning decades, Jason’s work is instantly recognisable—equal parts gritty, witty, and wildly imaginative.

In his latest pieces, Paulos continues to channel the spirit of classic horror, noir, and retro sci-fi, infusing every panel with his signature energy and cinematic flair. His sharp ink work, dramatic shadows, and twisted humour feel like a love letter to golden-era comics—yet with a distinctly modern bite.

Whether it’s new characters or fresh spins on cult favourites, Jason’s latest creations remind us that great comic art doesn’t just tell a story—it punches through the page. Raw, rebellious, and packed with personality, this is storytelling with teeth.

New Work by Ben Brown: Bold Lines, Big Stories

We’re stoked to feature the latest work by legendary Australian illustrator Ben Brown, whose unmistakable style continues to push boundaries in music, surf, and pop culture. With his bold linework, surreal characters, and a visual energy that’s impossible to ignore, Ben’s illustrations explode with personality. Whether it’s music, surf, or pop culture, his style grabs you by the collar and pulls you in.

Fusing punk-rock grit with comic-book flair, Ben creates worlds that feel both nostalgic and otherworldly. His use of skeletons, wild nature, retro motifs, and kaleidoscopic detail makes every piece feel alive with story and subtext. There’s always a sense of movement—whether it's a crashing wave, a whirling galaxy, or a tour poster full of rhythm and tension.

What sets Ben apart is his ability to inject soul into his visuals—his work doesn't just look good, it feels loud. These newest pieces continue his legacy of creating art that connects deeply with culture, fandom, and raw creative spirit.

Wings Over Saltwater Wetlands by Sasha Heath

Wings Over Saltwater Wetlands by Sasha Heath,  celebrates the vibrant colours and unique character of the wetlands in Point Cook, Victoria. At its heart are the common sight of ibis, often seen gliding gracefully across the sky. Lush greenery and natural details transform what was once a blank space into something welcoming and peaceful, a colourful backdrop that not only brightens the space but creates a calm, inviting spot where people can take photos, or simply enjoy lunch. The mural has become a local landmark, capturing the beauty and energy of the wetlands and reflecting the rich diversity and colours of the native landscape. The mural was commissioned by Wyndham City Council working together with Mamam.

Photographs courtesy of Jack Gruber.

Beyond the Brick: How Street Art and Murals Transform Our Public Spaces

Beyond the Brick: How Street Art and Murals Transform Our Public Spaces

Step into any thriving city today, and you’re likely to encounter an explosion of color, creativity, and captivating imagery adorning walls, underpasses, and forgotten corners. What was once dismissed as vandalism is now widely celebrated as street art and murals – a powerful force that is profoundly impacting our public spaces. Far more than just pretty pictures, these vibrant additions offer a wealth of benefits, enriching our communities in ways both visible and profound.

More Than Just Decoration: The Power of Public Art

At its core, street art and murals are about bringing art directly to the people. No longer confined to galleries and museums, art becomes accessible to everyone, regardless of their background or economic status. This democratization of art is a cornerstone of its importance, fostering a deeper connection between citizens and their urban environment.

But the benefits extend far beyond mere aesthetics:

• Beautification and Urban Revitalization: Let’s face it, some urban areas can feel a bit drab. Murals inject life, color, and visual interest into otherwise mundane or neglected spaces. They can transform an unsightly wall into a local landmark, breathe new life into forgotten alleys, and even deter graffiti by offering a sanctioned and celebrated artistic outlet. This beautification often leads to a greater sense of pride in the neighborhood and can even spur economic development.

• Fostering Community and Identity: Many murals tell stories – stories of a neighborhood's history, its people, its aspirations. They can celebrate local heroes, commemorate significant events, or reflect the unique character of a community. This shared visual narrative fosters a sense of collective identity and belonging, encouraging residents to feel more connected to their surroundings and to each other. Collaborative mural projects, involving local artists and residents, further amplify this community spirit.

• Sparking Conversation and Reflection: Great art, regardless of its medium, makes us think. Street art often tackles social issues, environmental concerns, or celebrates diversity. These powerful visual statements can spark important conversations, challenge perspectives, and encourage critical thinking among passersby. They can act as powerful reminders of shared values or as calls to action, prompting dialogue that might not otherwise occur.

• Boosting Local Economies and Tourism: Eye-catching murals become destinations in themselves. Tourists seek them out, photographers capture them, and locals proudly share them. This increased foot traffic can directly benefit nearby businesses, from cafes to boutiques. Furthermore, a city known for its vibrant street art scene often gains a reputation as a cultural hub, attracting more visitors and investment.

• Deterring Crime and Encouraging Stewardship: Believe it or not, a well-maintained and aesthetically pleasing public space is often less prone to crime. When a community invests in its appearance through public art, it sends a message that the area is valued and cared for. This can lead to a greater sense of ownership among residents, who are then more likely to look after their surroundings and report any suspicious activity.

• Empowering Artists and Promoting Creativity: Street art provides a vital platform for artists to express themselves, experiment with scale and form, and reach a wide audience. It offers opportunities for emerging artists to gain recognition and for established artists to push the boundaries of their practice. This artistic vibrancy enriches the cultural landscape of a city and inspires the next generation of creatives.

The Future is Bright (and Colorful!)

The movement to embrace street art and murals in public spaces is gaining momentum globally, and for good reason. From Sydney to Berlin, and countless cities in between, we are witnessing the transformative power of art unleashed on our urban canvas. These vibrant expressions are not just decorating our walls; they are breathing life into our communities, sparking dialogue, and reminding us of the profound impact art can have when it’s truly for everyone. So next time you walk past a towering mural, take a moment to appreciate the beauty and consider the incredible impact it has on the world around you.

Twisted Roots and The Georges River for Dexus

This artwork is a collaboration between local artist Dewrangart and Blu Del Sol, commissioned by Dexus in consultation with Liverpool Council. It honours the natural and cultural heritage of the Georges River. Twisted roots and the river entwine in the design, symbolizing the connection between land and water. The mullet fish, mangroves, tea tree, wattle, and yarning circles are elements significant to the areas history - in consultation with Aunty Barb Simms Elder and Traditional Custodian Bidgigal, Gweagal Gadigal and Cobigal land.

lets celebrate Australia's diplomatic anniversary with Indonesia!

Australian Artist George Rose headed over to Jakarta and got to work collaborating with Indonesian artist Tutu on a very meaningful project.

A bespoke mural artwork to commemorate the 75th Anniversary of Australia-Indonesia Diplomatic Relations.

Tutu's work embraces the arch shape, which resembles a portal leading to George's work. This arrangement mirrors the function of the Australian Embassy, serving as a window into Australia from Jakarta.

Within the arch, George has depicted the national botanical symbols from each country. The official national flower of Indonesia, the White Jasmine, alongside the Moon Orchid, which symbolises charm, and the rare Rafflesia Arnoldi, collectively signify diversity. The Golden Wattle is Australia’s official floral emblem and a symbol of unity. These flowers are presented intertwined reflecting Australia and Indonesia's close relationship.

Outside the arch, Tutu uses abstract shapes to create a dynamic pattern to symbolise situation and condition. There are two figures that also symbolise collaboration between Indonesia and Australia. One figure holds a string representing the ties of the relationship while the other holds a book, a symbol of knowledge and cultural exchange.

Both artists intend this mural to inspire, provide positive energy, and encourage ongoing relationships for future generations between our two countries.

Creating images from an inner journey with Cristina Guitian

It was our great pleasure to dive deep into Cristina Guitian's process and projects, a multitalented artist working on murals, installation, illustration and sculpture. We hope you enjoy it as much as we did.

What was it like creating an interactive installation for WeTheCurious, the Museum of Science in Bristol, do you enjoy making your art 3D and Sensory, what’s the most challenging part for you in this process?

This project was good fun and a big challenge simultaneously, 2 in 1! We had a super tight deadline and I was the only creative in the team. Visualising the local stories of Bristol was great, and I loved coming up with the animations for the interactive elements.

The most challenging, was working out how to prepare the artwork to be cut out as a vinyl, as my hand drawn lines had to be translated into vectors in Illustrator.

You illustrated The book series What is the Issue? What was your favourite part of this project, do you prefer having stimulus or a brief to create from/ for or do you prefer a blank canvas of your own?

The briefs for the books were often explicit but I was given total freedom on how to interpret them. I was sometimes asked to come up with ways of representing abstract concepts of the mind. These were my favourite ones, making me look for new ways of communicating.

I prefer briefs that are well-defined and clear while allowing for creative license, with clients that trust and prioritise my artistic instinct.

What's it like illustrating commissions for such well known companies like Google and Nike to the Guardian and Headspace? scary, exciting etc?

I feel lucky to be often chosen for my playful style, so my most commercial work is often fun.

Once I'm on a commission, the difference between working for a multimillionaire corporation or a small business blurs away. Each project is different depending on the team involved. In the work for Google, I worked with a lovely small team and a super talented animator. Working with other creatives brings my work to unexpected new places.

The Guardian was a perfect editorial project, they had great art direction and attention to detail; with Headspace, I created all of their visuals when they were only a start up. Working for them was exiting, even though they were only small back then, it already felt like we were creating something big.

How would you best describe your creative process?

When am working on a commission, it all starts by researching and gathering information. I then, brainstorm and doodle, to come up with as many possibilities as I can. If I need a change of perspective, I research again, to then get back to generating more ideas, and so on. Eventually, one of the concepts seems to take more shape so, that's the one to finalise.

I normally have some artwork in progress lying around, so I can jump onto it if I need a break. My studio is a mix of a playground with a laboratory, that feeds the commercial work indirectly, by keeping the creativity more alive.

What is your favourite project you have worked on in the last 6 months or to date and why?

One of my highlight projects was last year's ‘Mascarada’: an installation I created for Miista’s AW22 catwalk where the models come out of my painting. The massive 21 m long wall is a cut out mdf structure that integrates the models within, so when the runway started they came out of the painting, few of them wearing masks, part of my art.

The work explored the subject of psychological masks disguising emotional states. It was brought to life by the models interacting with it, so the catwalk became a piece of performance art. Collaborating with another discipline like fashion, was amazing, it brough a whole new dimension to my practice.

What makes you create the work you do? What lights your fire and keeps it burning?

My art feels like something alive and self-sufficient that happens quite naturally. When creating I feel like I'm in the right place. I might experience all sorts of mood swings: great joy, anger or sadness, but overall I feel at ease.

Why do you make art, who do you make art for (yourself, community, to expand ?) what’s your intention?

I make art because I feel a need to communicate further than I can with words. I partly do it for myself, as a cathartic experience and to integrate difficult feelings. But am also looking to connect, and, overall, to encourage people to open up their minds.

Where did it all begin for you ?

When I finished high school instead of going to University I did all sorts of jobs: waitressing, kitchen porter, club promoter, even a kind of door to door sales woman! It all soon became frustrating, I needed something more challenging for my mind, so I started drawing at night time, after my work shifts. I then discovered that drawing made me feel like nothing else did, like I had found the place where I belong.

What inspires you the most to create ?

I have a story to tell that I don’t even know what it is and I can't express with words. When I create I feel like am telling little fragments of this tale each time. I also feel an impulse to bring out to the surface things that seem to be hidden or left behind by society, highlighting the beauty in the ugly and the forgotten.

Where about did you grow up, do you find where your living has an effect on the realms and themes in which you create from?

My family are from the Canary Islands but I grew up in Madrid. My roots are divided between these such contrasted places, even if they are the some country, their culture is very different.

Moving to London after studying was exciting and strengthened my inner world. I developed my imagination through drawing lots, and eventually I found my own visual voice. My work is definitely influenced by London, it’s layers of history and the diversity of such a multicultural hub. It's also shaped by my Spanish background and a constant search for roots.

What's been your most challenging part of being an artist?

Being an artist is simultaneously a blessing and a curse: even though it's uplifting, so much energy goes into it that it can feel unbalanced. Finding a way to focus in your practice while keeping your finances and personal life stable is the key.

I'd rather make a living from art so I can spend more time doing it. I've experienced that professional success comes in hand with strong pressure to deliver though. The feeling of losing the creative freedom is hard. But embracing the pressure is the key to overcome it: if you make sure to produce what is requested, you also can find new unexpected ways to develop more freely. You grow.

If you could say one thing in regards to your art, art in general what would it be?

Art is about transcending: for the artist when making, and for the viewer's experience. I create to go beyond my state of mind and to gain a deeper insight on life, even only for a moment. To me, art is successful, when the viewer is transported to another dimension by looking at it.

What's your next big project ?

I have couple of group exhibitions in London coming very soon. I am in conversation about a solo exhibition in Tenerife, in the island where I am from, so fingers crossed on this front.

I recently started running the workshop Visionarios, to help people visualise what they wish for in their lives. So far it has been a great success, so I am hoping this is only the beginning

With exhibitions in Amsterdam, Barcelona, London, Madrid, New York, Rio de Janeiro, Sydney and Tokyo, where has been your most favourite place to share your work?

I loved doing an art residency in Rio de Janeiro. Nature is so strong there, that the connection with it is different to any other place I've been in. I feel my art relates quite well to the uplifting Brazilian energy.

Your style, under your alter ego Cristina Reyes, plays in the realms of absurdism and realism , what is your biggest inspiration for these such abstract ideas, does it start with a dream you had, a random shower thought, a metaphor you want to explore, a message you want to share?

This is the kind of work where I dig in my subconscious without a clear direction and see what arises. I create images from this inner journey that help me navigate my own emotions. The content in itself is not intentional, I allow myself to be as free as possible, and the shape of what am doing reveals itself as I go along.

How did you develop your unique style?

To me, a style is something that develops naturally as a result of doing something for a long time. Mine, took shape from drawing and testing plastic techniques and approaches. After years of experimenting, a particular graphic identity eventually was born.

CHULO’S COLAB WITH PINK TANK CREATIVE. ARTIST JESS BRACEY TAKES ON THE GOLDEN PEBBLE.

We teamed up with Frank from Pink Tank Creative to bring to life these organic flowy style murals at Tokyo Head Spa in Surry hills and St Leonards.

We asked Frank some questions about this project….

Who is Pink Tank? 

Pink Tank Creative is a brand and design studio in Sydney. We work with a range of clients across different industries — helping them in the areas of brand strategy, naming, creative direction, visual and verbal identity, packaging and illustration.

What is the inspiration behind the mural designs at all the Tokyo Head Spa locations? 

Tokyo Headspa is a chain of boutique authentic Japanese hair care treatment centres using a range of traditional shampoos, conditioners and essential oils. When tasked with developing a brand for them, we created a visual language of free-flowing loose shapes, designed to represent the smooth pond and river stones found in Japan. These organic shapes, both as a solid or outline, create a stylised Japanese look and feel which is designed to sit seamlessly in the Salon Lane environments. 

How was your collab with Chulo?

We engaged Chulo to bring our visual to life for the interiors of Tokyo Headspa. Creating rough designs, we worked with mural artist Jess Bracey to help translate our vision in the environment. We worked with Jess on-site to help make the internal murals come to life. The client has been overwhelmed with how good the work is, and the clients high-standards have ensured we use Chulo again for the different locations. We look forward to working with Chulo and Jess on many more projects to come!

ASK THE ARTIST

We asked Jess about the project…

Who is Jess Bracey?

I’m a visual artist who's first love is capturing people’s homes and businesses in ink-sketched form for people who love personalised keepsake style artwork either for themselves or to gift to loved ones. I'm studying Creative Arts and Health through university of Tas feeding into my passion for art, health and supporting my neurodiverse child. I have recently begun expanding into custom client projects ranging from custom paintings for office spaces to indoor and outdoor Murals, which I'm loving!

When Chulo asked me to collaborate on the Tokyo Head Spa murals I jumped at the opportunity to work with Pink Tank. It was a beautifully therapeutic experience working in such a zen environment.

How did you execute this job?

Starting at their Surry Hills location, Frank and I used chalk and our eyeballs to map out the same lines as the design brief. Then I got to work with filling in the stone colour, whilst leaving space for the gold. At the second location in St Leonard’s, I decided to use the Mural Maker app using 2 devices. This method takes a little getting used to but is well worth the learning curve as it ends up being a much quicker and easier process. I highly recommend it. I took time and care with the smooth lines at each location to end up with a clean and organic result and I'm so proud of the outcome we achieved.

What’s your fave aspect of this project?

The final result! Standing back after a day's work and seeing the gorgeous gold and stone shapes in the space. The simplicity of the design is gently impactful in those beautiful calming spaces. Happy dance time! Look forward to working with Frank and Pink Tank again.

KELLY SPENCER - Connection back to our innate colourful nature

Kelly Spencer is a multidisciplinary visual artist from the lush lands of Aotearoa (New Zealand).

Kelly’s creative essence exuberates bold, bright, and zesty colour palettes along with authentic hand-crafted typography. Kelly's art is centered around, flora, fauna and all-around good vibes with even greater messages. Her work is often in service to create a platform to promote the conservation of our natural environment. 

Not only are Kelly's illustrations oozing with talent and play but they exist multidimensionally, within the realms of murals/street art, illustration (editorial, promotional, books), sign painting, apparel graphics, festival & gig branding, installation, identity design, and much much more. 

As an artist, Kelly has collaborated with clients such as Trade Me, Red Bull, Design Assembly, Boon Street Art, PangeaSeed Foundation, Ministry for Environment, Black Dog Brewery, Good Buzz, Rhythm & Vines, Department of Conservation, Creative HQ, Framingham Wines and more. 

as well as being a featured artist in street art festivals throughout the world, speaking at a handful of conferences for her talents and perspectives. In 2019, Kelly was the curator of the activation of Sea Walls bringing 20 fresh murals to the town of Gisborne from renowned international artists, Artists for Oceans Tairāwhiti NZ, 

What first drew me to Kelly's illustrations was the pure amount of vibrancy, joy and almost homage to the 60's/ 70's groovalicious era of kind messages of peace and love. 

Kelly loves a good cup of coffee the morning, connecting with the community, drinking chardonnay in the sunshine, the sound of tropical rain, scuba diving, and patting other people’s dogs so we thought she would be the perfect artist for our next feature interview! 

Here is what we found out about this creator:

From a young age have you always had a fascination with this colourful almost 70's style? What drew you to draw in this style? Was there someone who you grew up with that inspired you to draw? A mentor, teacher? Parents, grandparents, friends? Where did it all begin for you, did someone start off the journey?

I have been in love with the 60's and 70's vibe at least since I was a teenager. I used to say I was born into the wrong decade, and my mum would be mind-boggled by the retro floral items I'd haul from the op-shops. I can't pin-point why, it's just a part of me. Warmth, botanicals, a time with less electrical cables...

I noticed you have a strong focus on promoting the conservation of our natural environment, what inspired you to give voice to this issue through art, have you always been a big environmentalist from a young age? Do you think being in NZ and its laws to land conservation had inspired this also?

I was born this way. I grew up semi-rurally on an orchard, so I was always around animals and plants, but it's just a part of me. As I've grown older I've started digging into it more - the knowledge of interconnectedness and reciprocity with the rest of nature. The rest of the animals. 

Your portfolio includes murals/street art, illustration (editorial, promotional, books), sign painting, apparel graphics, festival & gig branding, installation, identity design and more, what’s your fav medium and why?

Murals are for sure my favourite. I love being outdoors, using big brushes, riding boom lifts in the sky, and interacting with the world.

Your typography skills are amazing. How did that talent come about? Have you always been good at writing and lettering or is that something you have dedicated a lot of time to? As a kid did you ever do those letter exercise books where you have to trace out different fonts? What inspired your curiosity around this?

I really was "that" kid. My report cards would praise my tidy hand writing (which was a good balance to other less-complementary attention based observations). My classmates would ask me to make title pages for them. I would spend so much time making the headers that I'd forget to add the content. I didn't really realize that type/lettering was an avenue to pursue til halfway through my career though.

I am not sure if you know of the famous illustrator Beatrice’s Potter, she used to talk to her illustrations and feel like each drawing was almost her friend, do you feel any unique connection with a certain one of your illustrations?

I talk to alot of things - animate and inanimate - it might be because of that interconnectedness I mentioned, or might be cos I have some screws loose. 

Were you the type of kid that enjoyed drawing for hours and imagining your own worlds in which your characters exist? Did you ever imagine you’d be doing this as a kid?

I mostly recall either drawing dancing girls with a range of cool outfits, or designs for houses. For this reason, I thought I'd be a fashion designer or architect. I studied the former, because the latter required too many extra years at Uni, before deciding that illustration was my jam.

What is your intention with your art?

To encourage humans to slow the f*ck down and learn to live in harmony with our natural environment.  

What is your favourite project you have worked on in the last 6 months or to date and why?(do you have a photo of it?)

I worked on a 47m collaborative mural with 5 other NZ female artists in the middle of this year which was pretty special because we were able to sink into harnessing our witch magic, working in sync on the design, and spending a week together painting, eating, and connecting. Good, deep, wahine ( woman) vibes. 

 Where did it all begin for you, did someone start this spark?

Drawing is something that came with the package, but the career choice started in 2008 on a boat, in the Caribbean, where I met a girl who was traveling and working as a freelance designer. A lightbulb moment happened when I decided I would do the same so I could build a creative career and still maintain the freedom to create my own schedule (or lack thereof) and to travel. I didn't have a grand plan, I just went with it, but I'm so grateful for where I am now.

What inspires you the most to create?

Travel, breathing space, adventure, and looking really closely at flowers.

What's been the most challenging part of being an artist for you?

No challenges that I feel have been exceptionally heavy. I would appreciate it if people would quit assuming that we (artists) do this as some kind of penniless glorified hobby, but I trust that general society will get there eventually.

If you could say one thing in regards to your art, art in general what would it be?

Without it, we collapse.

You can also support this incredibly ultra talented artist by following her artistry on Instagram @kell.sunshine or checking out her website here.

For more portfolios from Chulo Creatives Artist click through here, also get in touch with Chulo Creative if you are interested in commissioning an artist for your next campaign. 

Written and curated by Bella Abraham @Bella.bea.poetry

LIDIA TOMASHEVSKAYA- THE WONDER IN THE MUNDANE

Let me introduce to you the very talented, colourful, fruity, and self-taught Israeli illustrator, Lidia Tomashevskaya.

Lidia intertwines the poetic essence of metaphor, purpose, and intention within each of her illustration creations. Lidia's art is dancing with whimsical wonder, rich with layers of meanings and oozing with an invitation for the viewer to be welcomed into a world where anything is possible. So of course, we thought we'd interview her to share a little bit about what inspires her and her art journey.

We all know where we grow up and where we live have a massive effect on how we create and what we create from and for, especially the lens through which we view this beautiful world, and for Lidia this is no different.

Lidia is a Russian-born, Israeli illustrator. She believes that Israel makes her illustrations "brighter and fills them more with colours, flowers, and plants, also keeps them a bit weird and crazy". Lidia's mum had a massive impact and inspiration on her from a young age, her mother " never had a professional artist’s career but she draws incredibly well". Lidia started to draw by looking at her Mom’s drawings, and her mom’s positive reinforcement helped Lidia draw more often. Lidia's love of drawing started as a child, drawing animals, and princesses, to now illustrating an array of images that ember depths of wisdom and expansive ideas.

I especially love how Lidia sprinkles symbols of fruit and nature within her paintings, Lidia notes that she just "likes how they look, like the rich colours and feeling of abundance that they give". This got me thinking about the use of fruit within art in general and how often, artists use certain symbology like fruit to invoke certain feelings or ideas without having to say it directly, it's the subtleties that swing in depth. To me, the use of fruit in Lidia's work represents an offering from nature, an almost childlike playful energy, bringing it a vibrancy, that adds to the unique architecture of her style. So, next time you're looking at an art piece that piques your curiosity, maybe ask yourself what about it stands out the most and if it is due to certain symbology like fruit, animals, symbols, or words that the artist uses.

Every artist has a tale of not only how they found art but how art found them!

Many artists are either self-taught through experimentation, and curiosity or taught through traditional methods from fine art degrees.

Today, digital art is more available than ever for anyone to create art not just people with art degrees. With apps like Procreate, Adobe Illustrator, and Photoshop, we can combine multimedia, photos, illustrations, and graphic digital art to create our own unique hybrid styles of art. So, I was curious how Lidia’s love for passion and her unique style came about, considering how she, like myself is a self-taught artist

Here is a little sneak peek into our interview

Q: You mentioned you're self-taught so where did it all begin for you, did someone start off the journey? Your style is incredibly unique and feels incredibly inviting and authentic, how did you first develop your style? What artist inspired you? Who were your teachers?

"Thank you so much! As I’ve mentioned my mom was my first teacher, but I never took drawing seriously, mostly as a hobby, but once I opened Bechance for the first time I was overwhelmed by the beauty of the illustrations I saw there, then I bought my first "Illustration Now!" book during the lunch break at Zara clothing brand where I worked, and in the evening of that day I decided to try trace my drawing in adobe illustrator(I’ve made a graphic design course so I knew the program). I think other artists are my teachers as well because if not for them, I wouldn’t be interested in illustration. I think my style is the result of the fact that I had to develop my technique by myself, without professional help, I had to invent ways that helped me to draw what I had in my head."

Q: Why is this your favourite medium? Does your art start on a page and then turn digital? Maybe a concept of them or is it always digital?

I work in Adobe Illustrator and then I add textures and small details in Procreate, first I’ve always started with a sketch, but after I had a long period of only digital illustrationS, but now I am incorporating sketches into my process again, and I think it works better for me now, but I can definitely work without them.

Q: As an artist and poet myself, sometimes each art piece I create I have a poem that accompanies it. either I write the poem first or I write a poem after the art I created, which in poetry terms is called an ekphrastic poem! These two mediums intertwine in almost a tango. I know that you mentioned that it is very important to you that your illustrations have a meaning, and that they include metaphors as if it is editorial, you note that a lot of your art will still have a twist and will be deeper than just a decorative piece. Why do you feel like that is important for your artistic process? Are you also a writer? If so, how do you feel these two art forms weave within each other for you?

I think this is beautiful! I used to write too, but at some point, I’ve stopped, to concentrate more on illustration. It depends on the task that I have, usually if I draw for the client I include metaphors. Sometimes I draw decorative pieces ( for myself mostly) when I want to unwind and just have fun. But I myself prefer art with meaning so I want to create art with meaning as well, but sometimes beauty is the only meaning.

Q: I have a question about one of your art pieces that I would love for you to share what inspired it and a little into the deeper meaning and story behind it.

This is an illustration from 2019, when I started to make illustrations on topics that could be interesting, on social issues, articles, etc. This one is about difficulties that girls in India confront growing up, I wanted to show the contrast between the normal and destroyed childhood

Q:What is your favourite project you have worked on in the last 6 months or to date and why?

My favourite project is the illustrations that I created for Tales of Crowns and Thrones ( for Penguin Random House)

Q: What makes you create the work you do? What lights your fire and keeps it burning?

Art is the only thing I once felt I was good at doing, not that I have more self-confidence, but I still believe that this gives my life more meaning

I think art helps me to communicate with the world since I am an introvert.

I loved hearing all about the amalgamation of what made up Lidia's journey! It sparked curiosity in me, to truely think about what I am inspired by at the moment and what I crave to draw and why.

Until this interview with Lidia I was unaware what Behance was so, for those of you who also didn’t know like myself: Behance is part of the Adobe Creative Cloud and is used by creative specialists across the world to showcase their online portfolio of work from graphic design, illustration, fashion, photography, advertising, fine arts, game design, and much more. You can check out a lot of Lidia's work here on Behance.

You can also support this incredibly talented illustrator by following her artistry on instagram

For more portfolios from Chulo Creatives Artist click through here, also get in touch with Chulo Creative if you are interested in commissioning an artist for your next campaign.

Written and curated by Bella Abraham @Bella.bea.poetry